Frankenstein VFX Bust

Where to buy Universal Monsters Frankenstein Limited Edition VFX Bust. Universal Pictures' Frankenstein, released in 1931, is one of the greatest horror films of all time. Boris Karloff's portrayal of the tormented monster gave us one of the cinema's most iconic and enduring creatures. The Frankenstein make up team was led by the legendary Jack Pierce, and the Monster's 'look' was meticulously and laboriously hand-crafted prior to filming, in a time before prefabricated prosthetics existed. The flat head, neck electrodes and sunken expression have since become the ubiquitous look of the Frankenstein Monster, whether in serious horror films or parodies of the genre, perhaps because the design is as visually stunning, if not as frightening, today as it was eight decades ago.

Inspired by the work of Kenneth Strickfaden, the set designer who created the equally iconic laboratory set for the film, we have added a period style control panel to the front of the maquette. Throw the knife-switch to initiate the sequence and watch the voltage meter dial sway. Throw the switch the other way and hear the iconic line of Henry Frankenstein himself, digitally re-mastered directly from the film. The Monster's neck electrodes can be connected up using the wires and clips, or removed depending on your preference. Turn down the lights and you will see the Monster's eyes glow eerily, our homage to the early promotional posters for the film where the Monster appears to shoot lightning from his eyes! A numbered limited edition of 400 pieces each Frankenstein VFX Maquette is presented in a full color collector box and includes a prop story booklet, COA and numbered limited edition plaque. Sculptor: Douglas Hildebrandt This product is not a toy. It is a collectible intended for display only. Suitable for persons aged over 18 only. Powered by; 3x AAA Batteries (Included) or an Outlet Adaptor (included).

Product details, Frankenstein VFX Bust

• This product is not a toy
• Suitable for persons aged over 18 only
• A numbered limited edition of 400 pieces

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• Frankenstein's monster Story
• Frankenstein Limited Edition VFX Bust Review
• Universal Monsters Frankenstein Limited Edition VFX Bust

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Product Description,  Frankenstein VFX Bust

Universal Pictures' Frankenstein, released in 1931, is one of the greatest horror films of all time. Boris Karloff's portrayal of the tormented monster gave us one of the cinema's most iconic and enduring creatures. The Frankenstein make up team was led by the legendary Jack Pierce, and the Monster's 'look' was meticulously and laboriously hand-crafted prior to filming, in a time before prefabricated prosthetics existed. The flat head, neck electrodes and sunken expression have since become the ubiquitous look of the Frankenstein Monster, whether in serious horror films or parodies of the genre, perhaps because the design is as visually stunning, if not as frightening, today as it was eight decades ago Read full description

Product Features, Frankenstein Limited Edition Bust

• Measuring approximately 16-inches tall, the polyresin statue is nicely detailed and strikingly realistic.
• It features lights and sounds, 
• Suitable for persons aged over 18 only
• and is a limited edition of just 400 pieces

Don't forget to read some customer reviews when you got into amazon website. By doing that, you can increase your chance in finding a product you really want and good quality product for sure. CLICK the Picture BeLOW to PROVE iT..


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• Frankenstein's monster Story
• Frankenstein Limited Edition VFX Bust Review
• Where to buy Universal Monsters Frankenstein Limited Edition VFX Bust

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• Frankenstein's monster Story 
• Universal Monsters Frankenstein Limited Edition VFX Bust
• Where to buy Universal Monsters Frankenstein Limited Edition VFX Bust 

Frankenstein's monster Story, frankenstein's monster is a fictional character that first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. In popular culture, the creature is often referred to as "Frankenstein" after his creator Victor Frankenstein, but in the novel the creature has no name. When speaking to Victor, he calls himself the "Adam of your labors"; whereas Victor refers to him as "creature", "fiend", "spectre", "the demon", "wretch", "devil", "thing", "being" and "ogre". As in Mary Shelley's story, the monster's namelessness became a central part of the stage adaptations in London and Paris during the decades after the novel's first appearance. Shelley herself attended a performance of Presumption, the first successful stage adaptation of her novel. "The play bill amused me extremely, for in the list of dramatis personae came _________, by Mr T. Cooke,” she wrote to her friend Leigh Hunt. "This nameless mode of naming the unnameable is rather good."

Within a decade of publication, the name of the creator—Frankenstein—was used to refer to the monster, but it became firmly established after the Universal film series starring Boris Karloff in the 1930s. The film was largely based on an adaptation for the stage in 1927 by Peggy Webling. Webling's Frankenstein actually does give his creature his name. The Universal film treated the Monster's identity in a similar way as Shelley's novel: the name of the actor, not the character, is hidden by a question mark. Nevertheless, the creature soon enough became best known in the popular imagination as "Frankenstein". This usage is sometimes considered erroneous, but usage commentators regard the monster sense of "Frankenstein" as well-established and not an error.


In Shelley's novel, Victor Frankenstein builds the creature in his laboratory through an ambiguously described scientific method consisting of chemistry (from his time as a student at University of Ingolstadt) and alchemy (largely based on the writings of Paracelsus, Albertus Magnus, and Cornelius Agrippa). The creature horrifies Frankenstein upon coming to life, and the scientist immediately disavows the experiment. Abandoned, frightened, and unaware of his own identity, the monster wanders through the wilderness. He finds brief solace beside a remote cottage inhabited by a family of peasants, the DeLaceys. Eavesdropping on the family's conversation, the creature familiarizes himself with their lives and learns to speak by listening to the family teach French, their native language, to an Arabian daughter-in-law, whereby he becomes eloquent, educated, and well-mannered.

After much deliberation about revealing himself to the family, the creature introduces himself to its blind father, who treats him with kindness. When the rest of the family returns, they drive him away. Hopeful but bewildered, the creature rescues a peasant girl from a river, but is shot in the shoulder by a man who claims her. He swears revenge on Frankenstein for abandoning him to such intolerance, and accordingly kills Victor's younger brother William. When Frankenstein retreats to the mountains to absorb his grief and despair, the monster approaches him at the summit and tells Frankenstein his story, while also pleading with his creator to manufacture a female equivalent to mitigate the loneliness of his existence. Frankenstein agrees, but, aghast at the possibility of creating a race of monsters, abandons the agreement. In response, the creature kills Frankenstein's best friend, Henry Clerval, and later Frankenstein's bride, Elizabeth Lavenza; whereupon Frankenstein's father dies of grief. Searching for the creature in the Arctic Circle, the scientist loses control of his dogsled and falls into the freezing water, contracting severe pneumonia. A ship exploring the region rescues Victor. Before succumbing to his illness and dying, he relates his story to the captain, Robert Walton. Later, the creature boards the ship; but, upon finding his creator dead, is full of grief and pledges to incinerate himself at "the Northernmost extremity of the globe". He then departs, apparently never to be seen again.

Shelley described Frankenstein's monster as an 8-foot-tall (2.4 m), hideously ugly creation, with translucent yellowish skin pulled so taut over the body that it "barely disguised the workings of the arteries and muscles underneath"; watery, glowing eyes, flowing black hair, black lips, and prominent white teeth. The monster attempts to integrate himself into human social patterns, but is shunned by all who see him. This compels him to seek revenge against his creator. A picture of the creature appeared in the 1831 edition. Early stage portrayals dressed him in a toga, shaded, along with the monster's skin, a pale blue. Throughout the 19th century, the monster's image remained variable according to the artist.


Personality, As depicted by Shelley, the monster is a sensitive, emotional creature whose only aim is to share his life with another sentient being like himself. The novel and film versions portrayed him as versed in Paradise Lost, Plutarch's Lives, and The Sorrows of Young Werther.

From the beginning the monster is rejected by everyone he meets. He realizes from the moment of his "birth" that even his own creator cannot stand being around him; this is obvious when Frankenstein says "…one hand was stretched out, seemingly to detain me, but I escaped…" Ch.5 Upon seeing his own reflection, he realizes that he too cannot stand to see himself. His greatest desire is to find love and acceptance; but when that desire is denied, he swears revenge on his creator.

Contrary to many film versions, the creature in the novel is very articulate and eloquent in his way of speaking. He can speak quickly and he can enunciate well. Almost immediately after his creation, he dresses himself; and within eleven months, he can speak and read German and French. By the end of the novel, the creature appears able to speak English fluently as well. The Van Helsing and Penny Dreadful interpretations of the character have similar personalities to the literary original, although the latter version is the only one to retain the character's violent reactions to rejection.

In the 1931 film adaptation, the creature is depicted as mute and almost infantile. In the subsequent sequel, Bride of Frankenstein, the creature learns to speak, albeit in short, stunted sentences. In the second sequel, Son of Frankenstein, the creature is again rendered inarticulate. Following a brain transplant in the third sequel, The Ghost of Frankenstein, the Monster speaks with the voice and personality of the brain donor. This was continued after a fashion in the scripting for the fourth sequel, Frankenstein Meets The Wolf Man, but the dialogue was excised before release. The monster was effectively mute in later sequels, though he is heard to refer to Count Dracula as his 'Master' in Abbott and Costello Meet Frankenstein. The creature is often pyrophobic (afraid of fire). Also the brain used to create Frankenstein's monster is either from the mind of a criminal or is abnormal and deformed, though Dr. Frankenstein originally intended to use a developed, intelligent brain.

Frankenstein Limited Edition VFX Bust

At this time, Statues or figures of Frankenstein's monster have been released in multiple figure statue lines. One of them is Universal Monsters Frankenstein Limited Edition VFX Bust by Factory Entertainment.

The classic Frankenstein monster has been immortalized in many mediums and sizes, but this monster-sized Universal Monsters Frankenstein VFX Head 1:1 Scale Bust stands out from the rest. Measuring approximately 16-inches tall, the polyresin statue is nicely detailed and strikingly realistic. It features lights and sounds, and is a limited edition of just 400 pieces. Throw the knife-switch to initiate the sequence and watch the voltage meter dial sway. Throw the switch the other way and hear the iconic line of Henry Frankenstein himself, digitally re-mastered directly from the film. Turn down the lights and you will see the Monster’s eyes glow eerily, our homage to the early promotional posters for the film where the Monster appears to shoot lightning from his eyes.

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